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Adweek· Reid Lewis·· 21 天前AI 评分24

Adweek 圆桌探讨智能电视广告走向,Google TV 与 Disney 高管谈定向投放与开机屏广告位

Smart TVs, Smarter Ads

文章要点
  • 1Adweek 与 Google TV 合办论坛,Disney 广告与 Google TV 高管讨论流媒体电视广告走向
  • 2Google TV 高管称其为设备内置操作系统,用算法加人工编辑在开机首屏推荐内容
  • 3广告主除贴片外可买开机首屏头部广告位、赞助位和面向转化的下漏斗效果广告位
  • 4Disney 围绕 2027 年超级碗规划一周节目,该赛事将同时登陆 ESPN 与 ABC
决策要点

流媒体电视广告的话术正从曝光量转向定向与开机首屏注意力,平台的内容推荐位正在变成新的广告库存。

  • 影响:品牌在 CTV 上可买的位置从贴片扩展到开机首屏头部位、赞助与效果广告位;超级碗这类大事件走向 ESPN、ABC 加流媒体的多平台分发,跨平台与双语素材采买要提前纳入预算规划。
  • 参考:可考虑在 CTV 预算中划出小份额试点开机首屏与赞助位,并对比传统贴片的转化数据;做大事件投放前值得先梳理 2027 年超级碗在 ESPN、ABC 与 Disney+ 上的组合方案。
  • 依据:观点来自 Disney 广告与 Google TV 高管在与 Google TV 合作制作的稿件中的口径,属平台方自述,无独立数据验证。
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This post was created in partnership with Google TV

Smart TVs have transformed the advertising experience, paving the way for more relevant experiences without the disruptions of traditional commercials.

During an ADWEEK House Advertising HQ panel co-hosted with Google TV, Mark Stenberg, senior media reporter at ADWEEK, sat down with Jamie Power, SVP of addressable sales at Disney Advertising, and Lisa Siskind Bilgrei, global director of product monetization and content programming at Google TV, to discuss where connected TV (CTV) advertising goes next.

Improving on linear and removing friction

For brands looking to connect with their audiences, streaming preserves all the advantages of linear TV without the drawbacks—for instance, the way TV shows served as broad proxies for their audiences. “When you’re in streaming, you have the ability to layer on audience targeting and be a little bit smarter,” Power explained.

Attribution, interactive ad formats, and commerce strip away other friction points between brand and consumer, creating a more engaging experience overall.

Bilgrei stressed that Google TV, unlike YouTube TV, is an operating system built into the device itself. Her role is to bring users “the right content at the right time,” beginning with a personalized screen that suggests relevant content as soon as they turn the power on. An algorithm does part of that work, while a team of human curators makes sure to include zeitgeist material that the algorithm hasn’t incorporated yet.

“We’re seeing what users are clicking into and making sure that they’re seeing that content,” she said. “But we’re also surfacing content that they might find interesting, that maybe they didn’t even think that they would find interesting.”

Naturally, advertisers are also interested in that home screen. The masthead unit is prime real estate, though brands can also show up in sponsorships and lower-funnel performance units. “Advertisers want to see themselves there, and make sure that users are seeing that right when they turn the TV on,” Bilgrei explained.

Creating delightful experiences from cultural moments

The conversation then turned to sports as an example of the zeitgeist advertisers can capitalize on. Sports are as important as ever, drawing millions of fans and the advertising dollars that follow. With the 2027 Super Bowl heading to both ESPN and ABC, Disney is planning a week of programming around the event: morning show broadcasts from Santa Monica, on-site brand activations, and a Disney+ simulcast in both English and Spanish. 

“What’s unique about the Super Bowl is that the ads are part of the experience,” Power observed. “It’s a cultural moment we’re all experiencing at the same time.”

Those shared moments matter just as much as the highly personalized ones. For Bilgrei, Google TV’s job is not to pigeonhole users into one profile or another, but rather to open them up to a wealth of content they might enjoy. 

“Surprise and delight is just so huge,” she said. “People don’t necessarily think they’re going to watch certain content, and then it’s just kind of a phenomenon, and then people click into it and start to watch more.” 

When this approach is executed well, everybody wins. Users get the content they want, come back for more, and brands can reach them on a platform they’re loyal to. “That’s where the advertisers want to be,” Bilgrei concluded.

来源:Adweek · adweek.com