BBC《蓝色星球 III》在 AI 时代保留不完美镜头以彰显真实拍摄
Blue Planet III is keeping the rough edges in the age of AI
- 1BBC《蓝色星球 III》故意保留浮游生物、船只等不完美镜头，以在 AI 时代证明画面真实
- 2执行制片人 Elizabeth White 称过去会因浮游生物、船只或水质不佳剪掉镜头，这次全部保留
- 3制作方认为 AI 生成内容的破绽是画面过于精致无缝，真实海洋生物可能比 AI 想象的更惊人
- 4片中收录海豚用海绵堵洞困鱼、跨物种鱼类交流、20 万只螃蟹列队进食等真实画面
在 AI 生成内容泛滥的背景下，画面过于精致反而会招致真伪怀疑，保留瑕疵正被制作方当作真实性的表达方式。
- 影响：品牌与媒体内容若过于精致无缝，可能被受众怀疑为 AI 生成而折损信任；保留真实细节可成为低成本的可信度手段；影像内容的制作与审核标准可能随之调整。
- 参考：可考虑审视品牌影像与客户见证类素材是否有过于完美的观感；值得在真实性敏感的内容中保留现场细节或幕后拍摄素材，作为可信度佐证。
- 依据：制作决策与评价均来自执行制片人 Elizabeth White 的受访口径，经媒体转述，属制作方自述，暂无独立验证。
Terrence O'Brien
is the Verge’s weekend editor. He’s covered the tech industry for over 18 years and knows a thing or two about synths.
BBC’s Blue Planet III is looking to prove its authenticity by leaving in the less-than-perfect shots. Previous incarnations of the nature series were defined by their gorgeous, crystal-clear footage that seemed almost too good to be real. But one dead giveaway of AI is when things look too polished and seamless. To counter that, Blue Planet III goes warts and all.
Executive Producer Elizabeth White told The Guardian in the past, “the amount of plankton and things” floating in the water would have caused them to cut a shot. Or “we might have framed out a boat or a buoy or gone: ‘Oh, actually … the water conditions are not really good enough for this.’” Instead, this time they’re leaving it all in to show a more authentic, organic version of the oceans.
The series features incredible displays of dolphins trapping fish by plugging holes with sea sponges, inter-species fish communication, and 200,000 crabs lining up in formation to feed. White says that real ocean creatures “are probably more remarkable than AI could imagine.”
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- Terrence O'Brien
来源：The Verge · AI · theverge.com