跳到正文
原文
The Decoder:AI News· Matthias Bastian·· 7 天前AI 评分49

研究发现让 AI 文本难读的六种语言模式

Researchers find six patterns that make AI text so exhausting to read

文章要点
  • 1研究团队让 14 个语言模型生成对话、编程和议论文,与人类文本对比后归纳出六种过度使用的句式。
  • 2生僻搭配、句子成分远隔、名词堆叠、名词动用是典型问题,读者能看懂但需多花理解成本。
  • 3研究认为从 RLHF 转向 RLVR 后训练奖励正确性而非清晰度,模型形成了重信息密度的方言。
  • 4小模型更接近人类写作,Claude Opus 5.5 在 21 项对比中 19 项胜过前代,定向微调可改善文风。
决策要点

AI 文本难读源于训练奖励正确性而非清晰度,是训练方式的副产品,研究显示定向微调可以改善。

  • 影响:面向人的营销与客服内容若由 AI 生成,可能偏密难读,抬高读者理解成本;模型选型可把与人类文本的贴近度纳入考量;研究指向后训练方式是文风偏离的主要原因。
  • 参考:可考虑为面向人的内容场景选模型时,用同类人类文本作基线对比各模型输出;值得把可读性纳入模型评测清单;定向微调已被研究证明有效,可作为文风改进路径。
  • 依据:依据为该研究对 120 段对话、45 场编程和 980 篇议论文与人类文本的量化对比;Anthropic 员工的解释属行业内部视角。
正文

A study by researchers at New York University and the University of Texas at Austin backs that up with data. The team had 14 language models produce text in casual conversation, coding sessions, and argumentative essays. The lineup included Claude, GPT-5.6, GLM-5, Kimi K2.5, and smaller open-source models like Llama and Olmo. In total, the researchers analyzed 120 conversations, 45 coding sessions, and 980 essays, then compared them against human-written text from movie subtitles, StackExchange, and student essays.

Six patterns that make AI text a chore to read

AI models overuse unusual word combinations that rarely show up in human writing, like "reader-patience budget," and they place related parts of a sentence far apart in ways that tax working memory. Claude Opus 5 generated "A cat who can always get up and away is a much calmer cat," where the subject and the main predicate are separated by a long clause.

Shortened references with a dropped connector are common too. Instead of "the book that the professor wrote," the models write "the book the professor wrote," saving one word but creating brief confusion about how the parts fit together. Stacked nouns like "horror movie soundtrack generator" force readers to figure out on their own which word modifies which.

The six linguistic constructions AI models overuse, each shown with an example from the study's dataset. | Image: Clark, Martin & Mahowald (2026)

The models turn nouns into verbs where humans wouldn't. Claude Fable 5 wrote "calendar it," where a human would say "put it in the calendar." They apply animate verbs to inanimate subjects, too. Claude Opus 5 produced "The whole conversation is eating its own tail," even though a conversation doesn't have a tail and can't eat. Readers can figure out what's meant, but it takes an extra beat.

Smaller models write more like humans

Llama and the Olmo base model come closest to human text. Within the Olmo family, scores rise steadily from the base model through the instruct variant to the reasoning model Olmo Think, which hits frontier-level numbers, pointing to post-training as the likely cause. Claude Opus 5.5 beats its predecessor Opus 5 in 19 out of 21 comparisons, suggesting that targeted finetuning can improve readability.

How much each model deviates from human text (dashed lines) across the six measured features varies widely by model family and use case. | Image: Clark, Martin & Mahowald (2026)

Training rewards information density over clarity

Human language balances ease of production with ease of understanding, but modern language models are trained increasingly on tasks like math, code, and logical reasoning, where correctness gets rewarded and clarity doesn't, the researchers say.

The shift from RLHF (Reinforcement Learning from Human Feedback) to RLVR (Reinforcement Learning with Verifiable Rewards) removes humans from the feedback loop entirely, the researchers argue, and models develop a kind of "dialect" that works well for compressing information and solving complex problems but poorly for human readers.

As a proof of concept, the researchers trained a smaller language model with a penalty term that rewarded shorter answers. Under certain training conditions, the model favored shorter phrasings almost without exception, regardless of context, and even generalized that preference to sentence patterns it had never encountered during training. Humans, by contrast, chose between shorter and longer variants depending on the situation.

A similar explanation comes from inside the industry. Anthropic employee Jackson Kernion, who works on Claude fine-tuning, recently explained why Opus 4.6 was the last good "writing model" from Anthropic. Optimizing newer models for math, code, and technical explanations aimed at other AI models pushed Claude toward a style that works well for AI but reads as too dense and unnatural for humans. Kernion called it an adaptation to "LLM psychology." With Opus 5.5, Anthropic pushed back for the first time, addressing sentence clarity and overloaded blocks of information, and as the study shows, successfully so.

来源:The Decoder:AI News · the-decoder.com